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Manuscrits enluminés de Dijon. — Zaluska, Yolanta / Damongeot, Marie-Françoise / Saulnier, France / Lanoë, Guy.

Manuscrits enluminés de Dijon.

Zaluska, Yolanta / Damongeot, Marie-Françoise / Saulnier, France / Lanoë, Guy.
Éditions du Centre National de la Recherche Scientifique (CNRS) · Paris · 1991
Blue cloth hardcover with dust jacket. 390 pages and 148 black-and-white plates and 16 color plates. Format 31 x 21 cm. Text in French. Published as part of the series 'Corpus des Manuscrits Enluminés'. Catalogs and analyzes illuminated manuscripts housed in Dijon, covering a period from the 9th century to 1932. Highlights pivotal moments in the history of French illumination. In very good condition. See picture.
Piero della Francesca : Leben und Werk des Meisters der Frührenaissance. — Bertelli, Carlo.

Piero della Francesca : Leben und Werk des Meisters der Frührenaissance.

Bertelli, Carlo.
DuMont Buchverlag · Köln · 1992
Hardcover with dust jacket. 240 pages. Numerous color and black-and-white illustrations. Format 30 x 26 cm. Text in German. Fine condition, see picture.
This comprehensive monograph explores the life and work of Piero della Francesca, a master of the Early Renaissance, providing in-depth analysis and rich visual documentation of his artistic contributions.
De invloed van de vroege Nederlandse schilderkunst in de eerste helft van de 15de eeuw op Konrad Witz. — Miegroet, Hans J. Van.

De invloed van de vroege Nederlandse schilderkunst in de eerste helft van de 15de eeuw op Konrad Witz.

Miegroet, Hans J. Van.
Paleis der Academiën · Brussel · 1986
Paperback. 130 pp.: 61 ill. on plates; 26x18 cm. "Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone Kunsten, jaargang 48 Nr 42" Text in Dutch / Nederlands. - (spine sl. discolored, front cover sl. folded, small previous owner's stamp) Although very good. See picture.
Early Netherlandish Painting. Volume VIII: Jan Gossart and Bernart van Orley. — Friedländer Max J.

Early Netherlandish Painting. Volume VIII: Jan Gossart and Bernart van Orley.

Friedländer Max J.
Frederick A. Praeger · New York / Washington · 1972
Bound in cloth with a dust jacket, showing minor signs of use. Format 28 x 21 cm. 136 pages and 142 plates with numerous black & white illustrations. Published as part of the series Early Netherlandish Painting. Notes and comments by H. Pauwels and S. Herzog. Text in English. Very good condition. See picture.
Joachim Patinir: Landscape as an Image of the Pilgrimage of Life. Translated from the Dutch by Michael Hoyle. — Falkenburg, Reinert L.

Joachim Patinir: Landscape as an Image of the Pilgrimage of Life. Translated from the Dutch by Michael Hoyle.

Falkenburg, Reinert L.
John Benjamins Publishing Company · Amsterdam / Philadelphia · 1988
Original hardcover, with dust-jacket. 228 pages. Includes 50 black-and-white plates. Published as Volume 2 in the Oculi series: Studies in the Arts of the Low Countries. Examines the artistic and symbolic meaning of Joachim Patinir's landscape paintings, interpreting them as metaphors for the human journey through life. Text in English. Very good condition. See picture.
ISBN 1556190530 [US] / 9027253323 [EUR].
Monografieën over Belgische Kunst / Monographies de l'Art Belge [ Collection of 65 volumes from the series ]. — Various authors; 4 foto’s

Monografieën over Belgische Kunst / Monographies de l'Art Belge [ Collection of 65 volumes from the series ].

Various authors;
De Sikkel / Elsevier · Antwerpen / Bruxelles · 1947-1957
Collection of 65 volumes from the series Monografieën over Belgische Kunst / Monographies de l'Art Belge, consisting of 34 Dutch and 31 French editions. This set is not complete but represents a significant portion of the larger series. Includes 57 volumes with original dust jackets, most in very good condition. Some jackets show minor damage/ few tears, and a few volumes have a name written on the endpaper. Size 25 x 19 cm. See pictures.
Volumes present are: Louis Van Lint, Léon Devos, Jan Cox, Edgar Scauflaire, Rodolphe Strebelle, James Ensor, Henri Van Straten, Willy Anthoons, Marie Howet, Willem Paerels, Ianchelevici, Delahaut, Jacques Maes, Louis Thevenet, Jean Milo, Magritte, Floris Jespers, Suzanne Van Damme, Luc Peire, Jan Vaerten, Rik Slabbinck, Ernest Wijnants, Léon De Smet, Valerius de Saedeleer, Antoine Wiertz, Emile Claus, René Guiette, Léon Spilliaert, Albert Saverys, Pierre Caille, Frans Masereel, Henri Puvrez, Franz Courtens, Anto Carte, Léon Navez, Fernand Khnopff, Léon Frederic, Joris Minne, Constant Permeke, Walter Vaes, Richard Heintz, Delvaux, Rik Wouters, Frits Van den Berghe, Oscar Jespers, Jules De Bruycker, Georges Grard, Gustave Van de Woestijne, Gust. De Smet, Jean-Jacques Gailliard, Hippolyte Daeye, Jacques Ochs, Victor Rousseau, Evenepoel, Opsomer, George Minne, Edgard Tytgat, Henri de Braekeleer, Lis Monde, William Degouve de Nuncques, Antoine Mortier.
Passion iconography in Northern European art of the Late Middle Ages and Early Renaissance. A study of the transformation of sacred metaphor into descriptive narrative. — Marrow, J.H. 2 foto’s

Passion iconography in Northern European art of the Late Middle Ages and Early Renaissance. A study of the transformation of sacred metaphor into descriptive narrative.

Marrow, J.H.
Van Ghemmert · Kortrijk · 1979
Small folio. Cloth, gilt. With dust-jacket and slipcase. xxii,370 pp., with 16 plates in colour and 104 pp. with 144 illustrations.- " Ars Neerlandica, I " As good as new. See picture.
¶ Contents: Christ's tormentors; The suffering Christ; Recurring torments; The secret passion (the arrest of Christ, Christ's night of captivity; Christ and the judges, the mocking of Christ, the flagellation, the crowning with thorns, the bearing of the cross, the crucifixion); The spikeblock. Literary evidence is drawn from Middle Netherlandish sources; Pictorial evidence comes from illuminated manuscripts, sculpture, drawings, prints and stained glass.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XII: Masters and Monogrammists of the 15th Century. — Hollstein, F.W.H.

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XII: Masters and Monogrammists of the 15th Century.

Hollstein, F.W.H.
Menno Hertzberger · Amsterdam · 1955
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume XII focuses on the works of masters and monogrammists of the 15th century, providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark cloth with gilt lettering on the spine, accompanied by a dust jacket. The volume contains 280 pages, featuring numerous black-and-white illustrations. Dimensions are 27x20 cm. (spine dust-jacket discolored) Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume X: L'Admiral - Lucas van Leyden. — Hollstein, F.W.H.

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume X: L'Admiral - Lucas van Leyden.

Hollstein, F.W.H.
Menno Hertzberger · Amsterdam · 1954
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume X covers artists from Johannes L'Admiral (1699-1773) to Lucas van Leyden (1494-1533), providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark cloth with gilt lettering on the spine, accompanied by a dust jacket. The volume contains 244 pages, featuring numerous black-and-white illustrations. Dimensions are 27x20 cm. (spine dust-jacket discolored) Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume VI: Douffet - Floris. — Hollstein, F.W.H.

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume VI: Douffet - Floris.

Hollstein, F.W.H.
Menno Hertzberger · Amsterdam · 1951
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume VI covers artists from Gérard Douffet to Jacob Floris, providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark cloth with gilt lettering on the spine. The volume contains 256 pages, featuring numerous black-and-white illustrations and measures 27x20 cm. (spine dust-jacket discolored) Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume I: Abry - Berchem. — Hollstein, F.W.H.

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume I: Abry - Berchem.

Hollstein, F.W.H.
Menno Hertzberger · Amsterdam · 1949
This inaugural volume of the comprehensive reference series documents the works of Dutch and Flemish printmakers from Louis Abry to Nicolaes Pietersz Berchem, covering artists active between 1450 and 1700. It provides detailed information on their etchings, engravings, and woodcuts, accompanied by black-and-white illustrations and scholarly commentary. Bound in dark cloth with gilt lettering on the spine. The volume comprises 280 pages and measures 27x20 cm. (dust-jacket discolored, top of spine very slightly bumped) Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXVI: François Schillemans to J. Seuler. — De Hoop Scheffer, D. / K.G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXVI: François Schillemans to J. Seuler.

De Hoop Scheffer, D. / K.G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1982
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume XXVI covers artists from François Schillemans to J. Seuler, providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark green cloth with gilt lettering on the spine, accompanied by a dust jacket. The volume contains 256 pages, featuring numerous black-and-white illustrations. Dimensions are 27 x 20 cm. Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXV: Pieter Schenck. — Keyes, G.S. / K.G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXV: Pieter Schenck.

Keyes, G.S. / K.G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1981
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume XXV is dedicated to the extensive oeuvre of Pieter Schenck, providing detailed information on his etchings, engravings, and woodcuts, accompanied by scholarly commentary. Bound in dark green cloth with gilt lettering on the spine, accompanied by a dust jacket. The volume contains 328 pages, featuring numerous black-and-white illustrations. Dimensions are 27 x 20 cm. Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXIV: Salomon Savery to Gillis van Scheyndel. — Keyes, G.S. / K.G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXIV: Salomon Savery to Gillis van Scheyndel.

Keyes, G.S. / K.G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1980
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume XXIV covers artists from Salomon Savery to Gillis van Scheyndel, providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark green cloth with gilt lettering on the spine, accompanied by a dust jacket. The volume contains 256 pages, featuring numerous black-and-white illustrations. Dimensions are 27 x 20 cm. Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXIII: Jan Saenredam to Roelandt Savery. — Keyes, G.S. / K.G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XXIII: Jan Saenredam to Roelandt Savery.

Keyes, G.S. / K.G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1980
This volume is part of a comprehensive reference series documenting Dutch and Flemish prints from the 15th to the 17th centuries. Volume XXIII covers artists from Jan Saenredam to Roelandt Savery, providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark green cloth with gilt lettering on the spine, accompanied by a dust jacket. The volume contains 224 pages, featuring numerous black-and-white illustrations. Dimensions are 27 x 20 cm. Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Aegidius Sadeler to Raphael Sadeler II. Volumes XXI and XXII Text and Plates. [ 2 volumes ]. — De Hoop Scheffer, D. / K.G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Aegidius Sadeler to Raphael Sadeler II. Volumes XXI and XXII Text and Plates. [ 2 volumes ].

De Hoop Scheffer, D. / K.G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1980
Volumes XXI and XXII cover the works of Aegidius Sadeler to Raphael Sadeler II, providing detailed descriptions and illustrations of their etchings, engravings, and woodcuts. Volume XXI contains text and descriptions, while Volume XXII features the corresponding plates. Both volumes are bound in dark green cloth with gilt lettering on the spine, accompanied by dust jackets. Together, they include approximately 298 pages of text and 236 pages with black-and-white illustrations. Measures 27 x 20 cm. Very good condition, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XX: Constantijn Daniel van Renesse to Geraert van Ryssen. — Hoop Scheffer, Dieuwke de (comp.) / K. G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XX: Constantijn Daniel van Renesse to Geraert van Ryssen.

Hoop Scheffer, Dieuwke de (comp.) / K. G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1978
Part of a reference series in English documenting Dutch and Flemish prints from the 15th to the 17th centuries. This volume covers artists from Constantijn Daniel van Renesse to Geraert van Ryssen, providing detailed information on their etchings, engravings, and woodcuts, including illustrations and scholarly commentary. Bound in dark green cloth with gilt lettering and a dust jacket. 216 pages with black-and-white illustrations. Measures 27 x 20 cm. Very good, see picture.
Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XVI: De Passe (continued). — Verbeek, J. / Ilja M. Veldman (comp.) / K.G. Boon (ed.).

Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700. Volume XVI: De Passe (continued).

Verbeek, J. / Ilja M. Veldman (comp.) / K.G. Boon (ed.).
Van Gendt & Co. · Amsterdam · 1974
Part of a reference series in English documenting Dutch and Flemish prints from the 15th to the 17th centuries. This volume continues the catalog of works by the De Passe family of engravers. Bound in dark green cloth with gilt lettering and a dust jacket. (iv) + 220 pages with black-and-white illustrations. Measures 27 x 20 cm. Very good, see picture.
Jean Duvet, le maître à la licorne, 1485-1570? Préface et notes bibliographiques par Edmond Pognon conservateur en chef de la Bibiothèque nationale. — Bersier, Jean-E.

Jean Duvet, le maître à la licorne, 1485-1570? Préface et notes bibliographiques par Edmond Pognon conservateur en chef de la Bibiothèque nationale.

Bersier, Jean-E.
Berger-Levrault · Paris · 1977
Study in French on Jean Duvet, known as the " Master of the Unicorn," a pioneering French engraver active during the Renaissance. The work includes a comprehensive catalog of his engravings, with detailed descriptions and analyses. Richly illustrated with numerous black-and-white plates, some folding. Bound in beige cloth with black lettering, accompanied by an illustrated dust jacket. The volume comprises 194 pages and measures 36 x 24.8 cm. Fine condition, see picture.
Mnémosyne: Parallèle entre Littérature et Arts Plastiques. — Praz, Mario.

Mnémosyne: Parallèle entre Littérature et Arts Plastiques.

Praz, Mario.
Gerard-Julien Salvy, editeur · Paris · 1986
Bound in gray cloth, with dust-jacket. 346 pages. Richly illustrated with many color and black-and-white images; 27x20 cm. Text in French / Français. In very good condition. See picture.
Study in French exploring the parallels between literature and the visual arts, analyzing their interrelations across various historical periods. Translated from English by Claire Maupas.
La Perspective comme forme symbolique et autres essais. Traduction sous la direction de Guy Ballangé. Précédes de la question de la perspective par Marisa Dalai Emiliani. — Panofsky, Erwin.

La Perspective comme forme symbolique et autres essais. Traduction sous la direction de Guy Ballangé. Précédes de la question de la perspective par Marisa Dalai Emiliani.

Panofsky, Erwin.
Les Éditions de Minuit · Paris · 1975
Collection of five essays in French by art historian Erwin Panofsky, representing his major works published in German before 1932. The title essay examines perspective as a symbolic form, analyzing its philosophical and cultural implications in art. Part of the "Le sens commun" series. Paperback, 280 pages, with some black-and-white illustrations. Dimensions: 22 x 13.5 cm. Very good, see picture.
Statuaire médiévale en France de 1400 à 1530. [ 2 volumes ]. — Boccador, Jacqueline. 2 foto’s

Statuaire médiévale en France de 1400 à 1530. [ 2 volumes ].

Boccador, Jacqueline.
Les Clefs du Temps · Zoug · 1974
Two-volume study in French on medieval sculpture in France from 1400 to 1530. Illustrated with numerous black-and-white and several color photographs by Robert David. Each volume is bound in cloth with gilt titles on the spine, includes dust jackets, and is housed in cardboard slipcases. Volume 1 contains 344 pages; Volume 2 contains 360 pages. Both volumes measure 30x27.5 cm. (top of spine dust-jacket volume 1 with small (1cm) tear, slipcases slightly browned) Very good set, see picture. 5.22 kg; extra shipping costs depending on destination.
The Amorous Illustrations of Thomas Rowlandson. — Smith, William G. (intr.).

The Amorous Illustrations of Thomas Rowlandson.

Smith, William G. (intr.).
Bibliophile Books · London · 1983
Collection in English of 50 full-color plates featuring erotic illustrations by Thomas Rowlandson, an 18th-century English caricaturist. Includes an introduction by William G. Smith. Bound in dark red boards with gilt lettering on the spine and an illustrated dust jacket. 42 pages of text followed by unpaginated plates, 32x24 cm. Very good, see picture.
Splendours of Flanders: Late Medieval Art in Cambridge Collections. — Arnould, A., & Massing, J.-M.

Splendours of Flanders: Late Medieval Art in Cambridge Collections.

Arnould, A., & Massing, J.-M.
University Press · Cambridge · 1993
Original hardcover, dustjacket. xiv,240 pp.; 30.5x22.5 cm. Text in English. - Very good. See picture.
This volume documents an exhibition held at the Fitzwilliam Museum, Cambridge, from July to September 1993, showcasing late medieval Flemish art. The exhibition featured paintings, sculpture, tapestries, coins, illuminated manuscripts, printed books, and furniture from various Cambridge collections, including the Fitzwilliam Museum, University Library, and several colleges, as well as items from the British Library and Holkham Hall. Highlights include manuscripts from renowned Burgundian libraries and three panels from Queens' College attributed to the Master of the View of Sainte Gudule. The book combines introductory essays with detailed catalogue entries and is generously illustrated in both color and black and white.
O Gruzinskoy Svetskoy Miniatyure (On Georgian Secular Miniature) - Akademiya Nauk Gruzinskoy SSR (Academy of Sciences of the Georgian SSR) Institut Istorii Gruzinskogo Iskusstva (Institute of Georgian Art History). [ Text in Russian ]. — Shervashidze, L.A. 3 foto’s

O Gruzinskoy Svetskoy Miniatyure (On Georgian Secular Miniature) - Akademiya Nauk Gruzinskoy SSR (Academy of Sciences of the Georgian SSR) Institut Istorii Gruzinskogo Iskusstva (Institute of Georgian Art History). [ Text in Russian ].

Shervashidze, L.A.
Metsniereba · Tbilisi · 1964
Cloth hardcover. xii,160,ii pp., Frontispiece in color, ills, figures and 82 plates; 29.5x22 cm. Text is in Russian, with a title in both Georgian and Russian. (Pages are yellowed with age, The binding is in good condition with only minimal signs of wear, corners bit bumped) See picture
A detailed scholarly study of Georgian secular miniature art, particularly focusing on medieval manuscripts and artistic traditions. The book, published under the auspices of the Georgian SSR Academy of Sciences and its Institute of Georgian Art History, examines the historical and cultural context of Georgian miniatures, their stylistic evolution, and their unique place within medieval art. Includes extensive illustrations of miniatures and decorative elements from medieval Georgian manuscripts.
Inventaire des dessins - Musée Rodin [ volumes 1-5 (of 6) ]. — Judrin, Claudie.

Inventaire des dessins - Musée Rodin [ volumes 1-5 (of 6) ].

Judrin, Claudie.
Musée Rodin by Spadem · Paris · 1987-1992
First 5 vols. of the series, tome 6 [Expositions/Bibliographie/Index] is missing. Original cloth hardcovers. lxvii,(19),320 pp., (22),350 pp., (22),278 pp., (24),304 pp. & (22),382 pp.; many ills.; 28x22 cm. Text in French / Français. - (no dust-jackets, few small spots mainly to edges, small signs of use) Although very good, see pictures. Weight is 8.7 kg!
ISBN vol.1: 2901428193 vol. 2: 2901428142 vol. 3: 290142810X vol. 4: 290142807X vol. 5: 2901428339
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